Skip to content

Food & Drink

Catch the Premieres of These Seattle Screenwriters

Two Seattle writers' works are coming to a screen near you

By Gavin Borchert March 6, 2019

SHRILL - Episode 4 - Annie & Fran attend the Fat Babe Pool Party. Annie is so empowered by the experience and so furious with her boss, Gabe, that she posts a body positive article to the paper's website that explains exactly what it's like to be a fat woman in today's world. Annie (Aidy Bryant) shown. (Photo by: Allyson Riggs)
SHRILL – Episode 4 – Annie & Fran attend the Fat Babe Pool Party. Annie is so empowered by the experience and so furious with her boss, Gabe, that she posts a body positive article to the paper’s website that explains exactly what it’s like to be a fat woman in today’s world. Annie (Aidy...

This article originally appeared in the March 2019 issue of Seattle magazine.

This article appears in print in the March 2019 issue. Click here to subscribe.

Seattle-born writer Lindy West’s ascent, in just a decade, from writing for The Stranger to contributing to Jezebel, The New York Times, This American Life, The Guardian and beyond is due to the power of her searing and eviscerating voice as she takes on society’s most contentious topics: abortion, fat-shaming and online bullying, among others. And now that voice has taken her to Hollywood as one of the writers of Shrill, a six-episode Hulu series premiering this month (beginning 3/15) and inspired by West’s 2016 essay collection of the same title. Saturday Night Live’s Aidy Bryant stars on the body-positive-focused comedy a clef, set at a Portland alternative-weekly newspaper. Drawing on West’s own life, Bryant said, her character, Annie, “has a family and friends and a job and love and all these things. I don’t think that has always been the case for fat characters on TV.”

The work of another irrepressible voice, that of Maria Semple, has also been adapted into a screenplay. The Seattle transplant’s 2012 Seattle-based best-selling novel, Where’d You Go, Bernadette, comes to theaters August 9. Its A-list, Richard Linklater–directed cast, including Cate Blanchett, Billy Crudup, Kristen Wiig, Judy Greer and Laurence Fishburne, was filmed largely in film-industry-friendly (and Seattle stunt double) Vancouver, British Columbia. But at least one scene was filmed here, at the downtown Seattle Public Library. And for former Los Angelena Semple’s new hometown, a UNESCO City of Literature, that seems as good a cameo as they come.

Editor’s note: This story has been updated from the print edition. 

Follow Us

Book Excerpt: Old White Man Writing

Book Excerpt: Old White Man Writing

Seattle resident Joshua Gidding examines his own white privilege

In his book, Old White Man Writing, Seattle resident Joshua Gidding attempts to come to terms with his privilege. Gidding grapples with the rapidly changing cultural norms in 21st-century America while examining his own racial biases and prejudices. As Manhattan Book Review notes: “Old White Man Writing is an introspective deep dive into an eventful life…

Glacial Expressions

Glacial Expressions

Local scientist and painter Jill Pelto spotlights climate change in a multi-artist show at Slip Gallery

The divide between the arts and sciences is long-fostered and well-documented. From elementary school onward, children are often singled out for their penchant for math or artistic ability and guided toward classes — and later careers — that align with their right or left brain tendencies. For Jill Pelto — a local climate scientist, painter,…

How Taproot Theatre Survived A Financial Crisis

How Taproot Theatre Survived A Financial Crisis

Theatre is planning for its 50th birthday next year

Karen Lund vividly remembers that sinking feeling she had in the fall of 2023. That was when Lund, producing artistic director of Taproot Theatre Co., first realized that the financially strapped, midsized professional theatre in the Greenwood neighborhood might not survive. The theatre had already weathered the worst of the pandemic, but costs were mounting….

Humanities Washington Fights ‘Midnight’ Cuts

Humanities Washington Fights ‘Midnight’ Cuts

Nonprofit loses previously approved federal grants with little warning

The letter came without warning, like a slap in the face from an invisible hand. Humanities Washington CEO and Executive Director Julie Ziegler had already been talking with peers in other states, and she readied herself for the blow. The National Endowment for the Humanities (think DOGE) had terminated her nonprofit’s previously awarded federal grant…