Skip to content

Food & Drink

World Premiere of ‘The Comparables’ at The Seattle Rep

Nancy Guppy talks with Seattle actor/director couple Cheyenne Casebier and Braden Abraham

By Nancy Guppy February 25, 2015

0315guppy

This article originally appeared in the March 2015 issue of Seattle magazine.

Last summer, Seattle Rep’s associate artistic director Braden Abraham became acting artistic director after the sudden death of predecessor Jerry Manning. Having already helmed many successful shows at The Rep (including Who’s Afraid of Virginia Woolf? and My Name Is Rachel Corrie), this month Abraham directs his wife, actor Cheyenne Casebier, in the world premiere of a new play by Laura Schellhardt (The K of D). Set in a high-end real estate office, The Comparables (3/6–3/29; seattlerep.org) explores the intense relationship between three women in a competitive work environment.

LOCATION: Chaco Canyon Organic Café in West Seattle
DRINKS: Abraham, a short Americano; Casebier, rooibos tea

Nancy Guppy: You are two artists in one household. Is it hard to balance artistic ambitions with domestic life?   
BA&CC: [Together] Yes! Absolutely!  

NG:
Who washed the dishes last night?        
CC: I did. But Braden put the kid down.  

Ng: What’s Braden’s best quality as a director?      
CC: He’s a sensitive listener and gives space to all the different energies that actors and designers bring to a project.   

Ng:
What’s something people might not know about Cheyenne as a performer?
BA: She’s very funny. Cheyenne typically gets cast as the leading lady—which she does well—but she’s also capable of extreme comedy, and I think that’s what really gets her motor going.  

Ng: Describe the difference between opening and closing nights of a play.       
CC: Sometimes at opening I think, “Did we film that? Can we wrap? Because that was good and everybody’s happy and I’m done now.” [Laughs]
BA: Opening is about giving the play over. When I come back for closing, it’s like visiting.      

Ng: When a play fails, how do you talk about it?          
BA: I think that failure is an inevitable part of innovation, of trying to achieve something that you don’t know exactly how it’s going to come together. If you try to avoid failure, you’re just going to fail harder.  

Ng: You’re stuck on a desert island and you have to choose—as a couple—one book, one record and one type of food.             
BA & CC: The Wind-Up Bird Chronicle by Haruki Murakami, John Lee Hooker, and red wine.  

Ng: Is there something you haven’t done that you wish you had?           
BA: I wish I would’ve started meditating sooner.
CC: Clown school.           
 
Nancy Guppy showcases Seattle artists on her TV series, Art Zone (seattlechannel.org/artzone).

 

Follow Us

Seattle Author Wins Pulitzer Prize

Seattle Author Wins Pulitzer Prize

Tessa Hulls wins for Feeding Ghosts: A Graphic Memoir

Seattle author Tessa Hulls has added a Pulitzer Prize to her growing list of accolades for Feeding Ghosts: A Graphic Memoir. The 2025 Pulitzers were announced May 5. Feeding Ghosts won in the “Memoir or Autobiography” category. As Seattle magazine wrote in a profile of Hulls last year, Feeding Ghosts “braids together the narratives of…

These Cultural Landmarks Honor Seattle’s AANHPI Community

These Cultural Landmarks Honor Seattle’s AANHPI Community

Here’s an overview of some notable spots and happenings

The first Asian American immigrants landed in Seattle in the 1860s, just a decade after the city’s founding in 1852. Seattle is plentiful with sites that tell crucial stories about Seattle’s Asian American community, whether you choose to learn about historic neighborhoods and buildings in the International District or browse sculptures and paintings at the…

Book Excerpt: Old White Man Writing

Book Excerpt: Old White Man Writing

Seattle resident Joshua Gidding examines his own white privilege

In his book, Old White Man Writing, Seattle resident Joshua Gidding attempts to come to terms with his privilege. Gidding grapples with the rapidly changing cultural norms in 21st-century America while examining his own racial biases and prejudices. As Manhattan Book Review notes: “Old White Man Writing is an introspective deep dive into an eventful life…

Glacial Expressions

Glacial Expressions

Local scientist and painter Jill Pelto spotlights climate change in a multi-artist show at Slip Gallery

The divide between the arts and sciences is long-fostered and well-documented. From elementary school onward, children are often singled out for their penchant for math or artistic ability and guided toward classes — and later careers — that align with their right or left brain tendencies. For Jill Pelto — a local climate scientist, painter,…