Skip to content

The Man Behind Seattle’s Great Wheel Light Displays

Gerry Hall’s LED designs are a glowing success

By Jennifer Meyers February 8, 2016

A man in a blue jacket standing in front of a ferris wheel.
A man in a blue jacket standing in front of a ferris wheel.

This article originally appeared in the February 2016 issue of Seattle magazine.

While it’s only been open for three short years, Seattle’s Great Wheel has become an iconic part of the city’s skyline—as have the 175-foot-tall attraction’s light displays, designed by Gerry Hall. “It was a void in the job that needed to be done, so I volunteered,” says the wheel’s general manager.

“If I can make my own light shows in downtown Seattle—hey, let’s run with it.” Hall learned his new skill via conference calls from the light system’s manufacturer. With a glass of wine in hand and Phish playing in the background, Hall designs most shows for the wheel from his Everett home on his laptop, using a remote lighting program. There are 40 rows of lights on each of the wheel’s 21 spokes for Hall to create his nightly shows, which often tie in with holidays, sporting events or other occasions. Some shows take just a few minutes to program, whereas more elaborate designs that include moving lights and color fades can take Hall more than 20 hours. Hall says he gets plenty of requests for specific themes—most often he’s asked to project the Seahawks and “12” logos. But with a limited number of spokes, there isn’t a way to produce very defined images.

“I would do the logo if I could; it’s not like I haven’t thought of that!” he says. “I love it when people email me ideas, but I’m kind of two steps ahead of [them] on that one.” Of course, not all of the work can be accomplished on land; Seattle’s infamous rain can seep into any of the 500,000 LED light blocks, forcing Hall to climb a 90-foot ladder to the center to replace them. But does he get nervous? “No,” he says. “Climbing this thing is like a big jungle gym.”

NEED TO KNOW

1/ The 39-year-old light enthusiast devotes so much time and energy to the wheel’s display, he does no holiday lighting whatsoever at his Everett home.

2/ Hall rides the wheel once or twice a day, both to enjoy the view and to inspect the structure.

3/ His greatest challenge so far was a live light show with local alternative band Vaudeville Etiquette that took him more than 50 hours to complete.

 

Follow Us

Rearview Mirror: An Oyster Party, Money for Art, and Mac & Cheese at 30,000 Feet 

Rearview Mirror: An Oyster Party, Money for Art, and Mac & Cheese at 30,000 Feet 

Things I did, saw, ate, learned, or read in the past week (or so).

We Partied for Art I love a party, and I love art, so when the Henry Art Gallery invited me to its annual fundraising gala, it was paddle’s up from the get-go. Held on the floor of Pioneer Square’s Railspur building in a space managed by Rally, Angela Dunleavy’s latest venture (read all about it…

Urban Grit Meets Wild Beauty: Inside Seattle Art Museum’s Beyond Mysticism
Sponsored

Urban Grit Meets Wild Beauty: Inside Seattle Art Museum’s Beyond Mysticism

Seattle’s history is rooted in its fascinating juxtaposition of industry and nature, inspired by the region’s dramatic landscapes and rapidly changing cityscape. Seattle Art Museum’s current exhibition, Beyond Mysticism: The Modern Northwest, invites you to meet the artists who captured that tension and transformed it into a bold new vision of Modernism. Modernism, Made in…

Our March/April Issue Has Arrived!

Our March/April Issue Has Arrived!

Inside you’ll find Best Places to Live, a packed spring arts guide, and more stories from across the region.

The future’s bright, and so is the cover of Seattle magazine’s March/April issue! Featuring a mural by local artist (and 2023 Most Influential pick) Stevie Shao, the colorful cover is a snap from Woodinville, one of the six “Best Places to Live” featured inside. While we usually focus on Seattle neighborhoods, this year we expanded…

Supporting Roles

Supporting Roles

Three women in the Northwest are helping local artists through newly launched residencies outside of Seattle. Here, we take a look inside these thoughtfully designed spaces, and learn what drove their founders to become cornerstones in the creative community.

Iolair Artist Residency Eastsound, WA Years ago, after studying photography and earning a Bachelor of Fine Arts at the University of Washington, Pacific Northwest native Linda Lewis realized that she didn’t want to spend the rest of her life behind a camera. “The minute I graduated from school, I was far more inspired by the…