Skip to content

Letter to Seattle: Acts On Stage Opens Minds

Acts on Stage challenges white Seattle

By Jess Bielman February 9, 2023

Acts On Stage supporter Jess Bielman, left, with Leroy Barber, praises the nonprofit for opening his mind.
Acts On Stage supporter Jess Bielman, left, with Leroy Barber, praises the nonprofit for opening his mind.
Photography by Michelle Lang-Raymond

This article originally appeared in the January/February 2023 issue of Seattle magazine.

Image caption: Acts On Stage supporter Jess Bielman, left, with Leroy Barber, praises the nonprofit for opening his mind.

Letter to Seattle highlights the good deeds and positive experiences in our region. This is a letter from Jess Bielman, a patron of Acts on Stage, a nonprofit, professional theater company in Seattle that emphasizes people of color and people of faith.

Dear Acts on Stage, 

I know I am not exactly who comes to mind when Acts on Stage Theatre launched to center voices of color and creatives of faith. I am a white guy and I don’t consider myself particularly artistic by definition. And still the impact of your work is profound for me and my family.

I sat in the beautifully renovated theater space recently as Tia Naché  performed in her first one-woman show. The event was intentionally produced to foster community — even for strangers. The show was masterfully directed. And Tia was a brilliant storyteller with nothing to prove and still I left convinced that my life was made better by being there. My wife and I were literally the last people to leave the building. Our craving had been met and yet still lingered. 

Eventually, I remembered I was white and thought, “More of us, white people, need to be exposed and elevated by Black excellence.”  

I believe race operates in our lives in every space we occupy and unconscious bias is real. Acts on Stage’s offerings in the very demographically white Pacific Northwest is even more important and impressive to me. You have unapologetically created and invited me into opportunities to hear stories from outside of my vantage points in spaces curated by Black and brown creatives that control all of the variables. I have been made better by being in the room and witnessing artistry that did not center whiteness and gave me an unorthodox but completely authentic spiritual awakening. 

The truth we sometimes do not want to talk about is that in the Pacific Northwest often white people have very few relationships with Black people outside of our spaces that operate on dominant cultural values.

I am a fan, a proud patron and supporter of Acts on Stage. I literally have the T-shirt. My commitment is not just because I support your incredible talent, and wonderful mission. It is not just because I am excited about the Black and brown communities in Seattle having an outgrowth of artistic expression on their own terms. It is because deep down I want to be better, a more just person and more curious about my world. Acts On Stage, what you are displaying and doing for the entire Pacific Northwest community is good for all of us.

Thank you for your commitment to your work. Your reach goes beyond the shows and into the soul. Mine specifically.  

Jess Bielman

Follow Us

Learning to Pivot

Learning to Pivot

Liz Galloway, the founder of Brand Sanity Media, spent the past 15 years learning to grow and adapt within her industry’s changing landscape.

In public relations, you have to stay on your toes. This is a lesson that Liz Galloway, founder of Brand Sanity Media, has encountered many times over the years. “I have a lot of admiration for anyone who is consistent and resilient,” says Galloway, who in addition to launching her own PR firm six years…

Innovative Energy

Innovative Energy

Pioneer Square’s neglected metropole building gets a second life—and a sustainable upgrade—as a nonprofit hub.

After more than a decade lying vacant and in ruins, the Metropole, as its name implies, is once again a vibrant center of culture, industry, and influence. Located in the historic Pioneer Square neighborhood, the Metropole building was constructed in 1892 as the first major commercial project of Henry Yesler, the city’s wealthiest resident during…

Fresh Catch

Fresh Catch

With more than 30 years of marine-protection advocacy under her belt, Seattle Aquarium’s new CEO wants to spark a greater interest in conservation.

Peggy Sloan has long felt a draw to the Pacific Northwest. In the early ’90s, while working as a National Oceanic and Atmospheric Administration fisheries observer (a specialist who spends time on commercial fishing vessels to collect data), Sloan counted Seattle as her home base. So, when the opportunity arose more than 30 years later…

Resistance Turned to Resilience

Resistance Turned to Resilience

The Seattle Chinatown International District Preservation and Development Authority is celebrating 50 years of lifting up a neighborhood besieged by challenges from all sides.

On November 2, 1972—after a steady overnight rain cleared to leave a construction site near the King Street Station thick with mud—about 200 people gathered for the official groundbreaking of the Kingdome. A project that had seen its funding rejected several times by voters, the Kingdome was finally on its way, with the hopes that…