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Getting Ghosted: A New Northwest Novel Tackles Alienation in the Face of Loss

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

A person with long dark hair and an undercut sits in a library next to "The Valley of Vengeful Ghosts" by Kim Fu.
Photo by L. D’ALESSANDRO

This article originally appeared in the March/April 2026 issue of Seattle magazine.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put a down payment on a house, but the only decent one she can afford is a model home in an unfinished development miles from town.

After moving to the picturesque valley, Eleanor experiences a series of strange occurrences, which only intensify as she confronts ghosts from her past—both literal and figurative. This gripping story examines the nature of human connection, relationships, and the healing power of forgiveness.

Book cover for Kim Fu’s "The Valley of Vengeful Ghosts," with colorful text, houses on hills, and rain falling from a dark sky.

“As a ghost story set in a crumbling house, I hope the novel thrills and unnerves, but more than anything, it’s a book about grief and loneliness, internet-age isolation,” Fu says. “The main character and her circumstances are a little extreme, but the forces that have made it so difficult for her to find community and build a functional adult life will be familiar to many. “

How Art Stays Afloat in Iceland

How Art Stays Afloat in Iceland

Public funding, creative freedom, and a landscape that refuses to stay in the background have made this Nordic nation an extraordinary place for crafting culture.

“If you don’t have art and theaters—and free speech—it’s no good to live there.” The man telling me this, Guðmundur Kristjánsson, isn’t a curator or painter. He’s the CEO of a seafood company, Brim, and our conversation occurred at Reykjavík’s harbor on Fisherman’s Day. I had just toured one of Brim’s vessels, where framed art…

Rearview Mirror: Flying in Style, A Caviar Martini, and Wine to Start the Week

Rearview Mirror: Flying in Style, A Caviar Martini, and Wine to Start the Week

Things I did, saw, ate, learned, or read in the past week (or so).

SWEET SUITES Last week, I went on a trip to Rome with my mom. I had been once before, about six year ago, but it was my mom’s first trip ever to Europe. I will be writing about the experience in the Travel section of the January/February 2027 issue of the magazine, so stay tuned…

New Murals Make Their Mark on Capitol Hill

New Murals Make Their Mark on Capitol Hill

Five works by local artists celebrate the neighborhood’s creative history.

More than 30 years after he first started painting graffiti in Capitol Hill, artist Sam Sneke is back, this time with a much bigger canvas. His work is among five new murals that have appeared across the neighborhood, bringing together generations of Seattle artists whose connections to the area stretch back decades. The murals are…

Creative Collections: Destination Museums Worth the Trip

Creative Collections: Destination Museums Worth the Trip

Seeing art in person isn’t just visual; it’s visceral.

Museums will always be destinations, but you don’t need to go to the Met or the Louvre to enjoy the ride. And the thrill isn’t limited to paintings—a fighter jet, a historic cipher machine, or a field full of vintage neon also delivers an emotional impact that can only be experienced with the intimacy of…