Skip to content

Bicyclists and Drivers: Who Rules the Roads?

Knute Berger traces the local roots of our current road wars

By Seattle Mag January 20, 2014

0214graymatters

This article originally appeared in the February 2014 issue of Seattle magazine.

!–paging_filter–pDrivers complain about reckless cyclists and bristle at the idea of having to share the roads. Increasingly, attention is being paid to the number of bikers fatally hit by cars, with drivers often going unpunished even when they are at fault. That trend prompted a recentem New York Times /emop-ed writer to ask, “Is It OK to Kill Cyclists?” brbrLast summer a friend of mine, Dan McConnell, was assaulted by a cyclist, who punched him in the face through Dan’s open driver’s window, leaving him with split lips and loose teeth. As far as Dan knew, it was unprovoked, but the cyclist apparently felt Dan had not shown him due deference. The cyclist fled. Dan says if the police ever catch him, the rider will be charged with felony assault for the punch-and-run. brbrDan is not alone. Both drivers and cyclists have been victims of road rage, and it’s not an entirely new phenomenon. Competition and thrown punches over who rules the roads goes way back in Seattle. brbrI learned that while doing a Crosscut research project on the roots of urbanism here. It included digging into late-19th- and early-20th-century Seattle, which saw huge changes in its transportation infrastructure. We moved from roads of mud and horse manure to paved streets more suitable for a newfangled form of urban transportation—the bicycle—which was followed soon after by the advent of the motorcar, the first of which arrived in 1900. Add to the mix an expanding streetcar system that linked the far-flung parts of Seattle by rail.brbrNegotiating change was tricky. Bikes created some chaos on the streets. They allowed individuals great freedom, and the ability to dodge in and out of traffic at high speed—bike speeders were called “scorchers.” They sometimes frightened horses and knocked down pedestrians. Bikes were even banned from downtown sidewalks for a time. In 1894, a group of “wheelers” was knocked down by a young lout on a farm horse. The bikers retaliated by beating him senseless. The Seattle police added patrol officers to keep a close eye on the bikers.brbrThe city saw bikes as an asset for recreation and for commuting. By 1900, Seattle had some 25 miles of dedicated bike trails, paid for by cyclists and designed with the help of city engineers. The city also experimented with grade-separated bike lanes. In the 1890s, private investors built a bikes-only toll road that stretched between downtown and Georgetown, with hopes of linking the city with Tacoma. brbrBut by the turn of the century, bicycles began to be displaced by the new, more powerful auto. And if bikes, horses and mud didn’t mix well, the fast, powerful auto created even more problems. Cars changed the speed at which the city moved, from a walk to a run, or faster. There were no driver’s licenses then; the first cars were mostly expensive toys for rich men, who often drove so recklessly, they became known as “automaniacs.” They ran people over, collided with trains, hit cyclists. In the Rainier Valley, some citizens threatened to shoot reckless speeders.brbrIt took work to bring order: better roads, speed limits, penalties for breaking rules, licenses to identify individual drivers, a motorized police department that could catch reckless scofflaws. Eventually, wagons, bikes and trolleys largely disappeared, and cars ruled the streets.brbrNow, we’ve cycled back, transportation-wise. Bikes are popular again, environmentally clean and useful for getting around. Streetcars, which vanished by the 1940s, are coming back, too. The new urban strategy is to get the city to respect multiple modes, to be “bike friendly” and “walkable,” as well as functional for cars, trucks and transit. brbrIt won’t happen on its own. Not only do we need to continue to expand infrastructure for each mode (more separated bicycle lanes, sidewalks and freight mobility improvements), we need to move away from the polarized mentality of cars versus bikes. There should be no “war” on anything. brbrWe need fewer belligerent drivers and fewer righteous cyclists. We should require that everyone take courses that reinforce the rules of the road and a culture of multimodal civility. That’s critical if we want our increasingly dense city to be a place where we can reach our destinations without running people down or throwing punches./p

 

Follow Us

Getting Ghosted

Getting Ghosted

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…