Skip to content

Seattle Has Changed, But Memories From Earlier Days Remain

Knute Berger reflects on the crossroads of his past

By Seattle Mag December 9, 2015

0116graymatters_0

This article originally appeared in the January 2016 issue of Seattle magazine.

For me, intersections can be the coordinates of memory. Because I’ve lived in Seattle for most of my life, those cross streets are sometimes landmarks of my personal and family history. There’s Fourth and Pike, where I was standing when I was given five brass World’s Fair dollars to spend at the Century 21 Exposition. There’s Sixth and Union, where I was standing when all hell broke loose at the World Trade Organization anti-globalization protests in 1999, and I was gassed for the first time.

The landscape is squishy with memory for me, like a soggy sponge or bed of moss. Memories ooze when I step onto familiar ground. Two intersections from my South Seattle past offer contrasting glimpses of what I experience as I move through the city.

One is South McClellan Street and Martin Luther King Jr. Way (formerly Empire Way), in the Rainier Valley. I lived just a few blocks away. There used to be a couple of service stations, a shoe repair shop and a small diner there. The Italian barbershop we patronized was nearby.

What’s now the backside of a Lowe’s hardware store was formerly the site of two of Seattle’s most historic baseball stadiums: Dugdale Field, followed by Sick’s Stadium. Dugdale was the home of the Seattle Indians and Giants baseball teams. It burned down in 1932; Sick’s replaced it and became the home of the Pacific Coast League Rainiers and briefly, the major league Pilots.

In my youth, Sick’s was my field of dreams, the place where my father and I went to enjoy a game—me by watching it, my dad by drinking Rainier beer under the grandstands. That seemed to work for us, if he left me with enough Cracker Jack to while away the innings.

Sick’s brought excitement to the neighborhood. Elvis played a concert there, as did Jimi Hendrix, and in 1970 I watched Janis Joplin perform from my viewpoint on Cheapskate Hill, a steep bank along Martin Luther King Jr. Way that once allowed an unobstructed view of the field over the outfield fence for those who wouldn’t or couldn’t pay admission.

The Rainiers were the only baseball team we had for many years. I remember attending opening day of the Pilots in 1969 and later seeing teams of legend, like the New York Yankees. Speaking of the Yankees, one thing I learned later was that Babe Ruth played an exhibition game at Dugdale back in the day and hit a home run so far that it left the stadium and bounced across McClellan. Babe Ruth, in my neighborhood!

The intersection is poised for change, with transit-oriented development slated around the nearby Mount Baker light rail station. The area around Lowe’s will become high-rises. I think it’ll be good for the valley. My memories, however, aren’t going anywhere.

The second intersection of memory is 23rd Avenue South and South Jackson Street, a onetime trouble spot in the Central District, known for crime. What sticks in my mind is a painful visit there one night in 1968. My elderly grandmother, a wonderful Scottish lady who never learned to drive, took the bus downtown for shopping as she did most days. She was one of those women who always seemed to be lugging a bag of things she’d picked up at the once great and now gone Frederick & Nelson department store. We were never sure why, but she got off the No. 10 bus alone at 23rd and Jackson, and subsequently was mugged by some punks. She refused to give up her precious handbag—that large, heavy purse, with few real valuables in it, was her life—and she was dragged down the street, and shaken, dazed and traumatized. She had few memories of the incident, but massive bruises told part of the story.

When he heard from the police, my enraged father took me with him down to 23rd and Jackson to find witnesses, a foolish thing to do at the time. At age 14, I was no real bodyguard. On one corner was a pool hall. We entered. The proprietor sat on a high bench—like a judge’s bench—so he could view the room. The place went silent when we entered. My father pleaded, and then, with barely concealed anger, asked for the proprietor’s help in identifying the young men who did the deed.

He stonewalled us. Guys at a nearby pool table snickered and sneered, then laughed as we left. No one was ever caught or punished, to my knowledge. My granny was at the tipping point of dementia and she nosedived afterward and had to be put into a nursing home. She died the next year.

A portion of the title of one of Jamie Ford’s Seattle novels, “on the Corner of Bitter and Sweet,” seems to apply here. If my memories of McClellan and Martin Luther King Jr. Way lean toward sweet, those of 23rd and Jackson still have the flavor of the bitter, leavened by seeing a neighborhood that seems safer and more welcoming now than it was in those rough times.

The city is a collection of personal landmarks that cannot be protected by law, nor can they be demolished until death or senility. The city is a living fabric, a place of deep personal significance and layered meaning for many of us.

 

Follow Us

Getting Ghosted

Getting Ghosted

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…