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Tolerating Our State’s Gray Areas

Knute Berger tracks progress in Seattle’s messy legal margins

0913graymatters

This article originally appeared in the September 2013 issue of Seattle magazine.

This month, Gray Matters takes up the subject of gray areas. Seattle is a tidy city for the most part, without the huge slums and decay of some older cities. But for all our Scando-Asian embrace of neatness, it is not so much our sense of order that defines us but rather along our messy edges, where creativity flourishes, trends are set, and necessity becomes the mother of invention.
The state’s legalization of marijuana is an excellent example. As the city and state wrestle with how to implement rules for growing and selling weed, these activities are still a federal crime. Washington voters have, in effect, turned Washington into an outlaw state. Even if history proves that pot legalization is the future, we are for now out in front, blazing smoky trails.

Another activity that has gotten a lot of attention recently is the proliferation of renegade ride-sharing services, such as Uber, Sidecar and the pink-mustachioed Lyft. Made possible by smartphone apps, these popular and growing upstarts serve a real purpose: giving people an alternative to car ownership. So far in Seattle, they are unlicensed and unregulated, unlike the taxi and limo services that are now crying foul. Looking the other way on the regulatory niceties, especially in the beginning, can help incubate creative solutions that meet real needs, like getting around the city more sustainably and economically. The question on regulation is not so much whether to regulate but when. You don’t want to strangle the infant in the cradle. Or, maybe you do if you’re a cab company.

And then there is the question of what to do about Nickelsvilles, the homeless encampments that have provided refuge for those who can’t find room or won’t stay in shelters. Nickelsvilles are not a permanent solution, but they are partially self-regulated communities that answer real needs. Surely it will be a long transition to “end homelessness,” and tent cities seem like a valuable tool in the interim. Surely they keep at least some people out of the greenbelts and shop doorways. Even as Seattle’s economy recovers, more systemic failures (affordable housing supply, mental health treatment) aren’t going to be solved overnight. There has to be room somewhere in the mix for improvised, self-built solutions.

Illegal shanties and shacks have always been a part of Seattle urban landscape. In the 19th century, the city’s urban Native Americans often squatted, sometimes illegally, on the margins of the city that they had occupied for generations. During the Great Depression, there was a large “Hooverville” in SoDo for the down and out. An exhibit at the Museum of History & Industry, “Still Afloat: Seattle’s Floating Homes” (through November 3) documents the history of Seattle’s much beloved houseboats, which evolved from low-income, self-made housing for timber and mill workers, who built shelters on floating logs near where they worked, in places like Lake Union. Others were crafted in the early 1900s as floating vacation cabins at Leschi and Madison Park.

Today, houseboats are fewer in number and highly regulated. The rules governing them evolved over the years, and the rights of owners are still strongly defended by the nonprofit Floating Homes Association. Once considered floating slums, they are now mostly the preserve of the well-to-do and, as Sleepless in Seattle showed 20 years ago, an indelible part of the city’s image.

“Still Afloat” is a reminder that what was once on the fringe can become mainstream, an essential part of the city’s unique livability. In other words, we can benefit by being open to experiments. When it comes to ride-shares, pot and other experiments, we ought to have tolerance for the gray before trying to control everything with the black and white of law.

 

SENSORIUM Takes on Our Screen Addiction

SENSORIUM Takes on Our Screen Addiction

Dance, drag, and immersive art collide in an eight-week exploration of our phone-obsessed lives, with a few surprises along the way. 

What do drag queens, smartphone addiction, art installations, and an old luggage shop have in common?  According to longtime Seattle choreographer Alana O’Farrell Rogers, a lot.  “There’s no dead time anymore,” says Rogers, explaining how the proliferation of smartphones fills the empty spaces that once served as time for rest or connection. Where we snuggled…

Salt-N-Pepa on Breaking Barriers and Staying Power

Salt-N-Pepa on Breaking Barriers and Staying Power

Ahead of their performance at Seattle’s Museum of Pop Culture gala, the hip-hop pioneers talk about creative ownership, connecting with new generations, and the songs that still resonate.

The Museum of Pop Culture (MOPOP) will host its annual ICONS of Pop Culture Gala in Seattle on October 22, honoring five artists and institutions whose work has helped shape entertainment and culture.  This year’s honorees are martial arts and film legend Bruce Lee, fashion designer Jeremy Scott, the video game franchise Halo, hip-hop pioneers…

Studio Sessions: Christopher Paul Jordan

Studio Sessions: Christopher Paul Jordan

Drawing on childhood memories, neighborhood history, and salvaged materials, Christopher Paul Jordan’s latest show at Cornish’s Behnke Family Gallery explores how the past stays with us.

Start in the middle. It’s good advice for telling a story, and a way into Christopher Paul Jordan’s paintings. By the time you encounter them, their materials have already been something else, and who knows what they might move on to become. The Tacoma interdisciplinary artist works with salvaged objects, including screens, picture frames, canvas,…

Rearview Mirror: Wedding Bells, A Furniture Launch, and the Symphony’s New Look 

Rearview Mirror: Wedding Bells, A Furniture Launch, and the Symphony’s New Look 

Things I did, saw, ate, learned, or read in the past week (or so).

WEDDING BELLS I’ve been a bit absent from this column lately, but I think I have a pretty good excuse: I got married! It’s already been three weeks since my September 19 wedding, but I’m still reflecting on the magic of the day. My fiancé, well husband now (I can’t get used to saying it!),…