Skip to content

Every Car Has a Story: Columnist, Matt Bell

Start your engines and discover the passion among auto enthusiasts

By Matt Bell June 16, 2022

_GSH7048

This article originally appeared in the November/December 2022 issue of Seattle magazine.

Hello Seattle, and welcome to the first in a series of articles about people, cars and passion. For many, cars prompt an emotional reaction and whether or not you consider yourself a car person, everyone has a story or a vivid memory of one. Every Car Has A Story, and we will tell them here because Seattle has a very rich car culture and an eclectic group of people who drive them.

Photography by Kennett Mohrman

First, a little about me and why I was lucky enough to curate this new column in “Seattle” magazine. I run a business called The Shop Club as well as Derby restaurant inside The Shop, a private social club that caters to car and motorcycle enthusiasts as well as those looking for a fun club that’s not too stuffy and has amazing food.

The Shop Club offers everything from car storage and lifts to car maintenance to wine tastings and workspaces. Derby restaurant sits at the center of The Shop Club and is open to the public, serving elevated comfort food for lunch, dinner and brunch on the weekends. The Shop Club serves as the center of the Seattle car culture.

My passion for cars started as early as I can remember. I played with Matchbox cars as a kid with my two older brothers. I was obsessed with having the biggest collection. I kind of think that enthusiasm fueled my desire to get into the storage business. Later in life, it was watching 1980s TV shows that, in retrospect, featured a treasure trove of cars centered around the plot or characters.

Photography by Kennett Mohrman

 

Photography by Kennett Mohrman

 

Photography by Kennett Mohrman

 

Photography by Kennett Mohrman

My first car was a terrible brown Oldsmobile Delta 88 four-door sedan that could fit two full-sized kegs in the trunk. It was a hand-me-down from my two older brothers and was on its last legs until I crashed it while racing a friend to get in line for a KISW radio station promotion selling gas for 99 cents a gallon (remember that?). I then saved up enough money from my paper route and mowing lawns to buy a 1976 4×4 K5 Blazer. The Blazer was the first car I chose for myself and I racked up enough speeding tickets to almost get me kicked off my parents’ insurance.

My favorite car? I absolutely love driving my 1968 Ford Bronco. The smile per mile is very high, not only from me but from people who wave, give the thumbs up or stop to tell me a story about one they had or drove. Driving a classic car like this is not simple. Everything is manual and nothing works exactly right. You have to earn the joy, which is why I think I love it.

A classic Bronco is something I wanted for as long as I can remember. My Bronco now lives in California with the top permanently removed so when I drive, it’s always sunny and it feels so fun and carefree.

Is there a classic car from a movie or TV show you wish you could drive? This is a really hard question because TV cars are what helped me build my passion. There are so many to choose from! Some of them I already have, like a 1968 Dodge Charger from “The Dukes of Hazzard” and a van similar to the one on “The A-Team.” If I could have only one more, I would choose the 1980s GMC truck from “The Fall Guy.” Colt Seavers (played to perfection by Lee Majors) was the coolest Hollywood stunt man and bounty hunter of all time.

Every Car Has a Story. What’s yours? Discover some interesting people and their passion for cars in every edition of “Seattle” magazine and online, seattlemag.com.

Are you an automobile enthusiast? Want to be featured? Submissions welcome at Matt@seattlemag.com.

Follow Us

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…

Building Connection, by Design

Building Connection, by Design

How Angela Dunleavy’s new venture is reimagining experiential marketing—and Seattle spaces.

After two decades running restaurants, a nonprofit, and a large-scale catering operation, Angela Dunleavy reached a familiar midcareer inflection point. She had helped build Ethan Stowell Restaurants, led FareStart through the pandemic, and returned to the private sector as CEO of Gourmondo. But something still felt unfinished. “What is it that I really want to…