Skip to content

Seattle Opera Debuts Its New Civic Center

The center's grand opening is slated for December 15

By Gavin Borchert December 4, 2018

opera

This article originally appeared in the December 2018 issue of Seattle magazine.

This article appears in print in the December 2018 issue. Click here to subscribe.

Among Seattle Opera’s most thrilling offerings in recent years have been its smaller productions (As One, O+E), so one of the most exciting aspects of its new four-story, 105,000-square-foot, $60 million Mercer Street digs—next to McCaw Hall in Seattle Center’s northeast corner—will be the 200-seat performance space, enabling not only more chamber opera (works too intimate for McCaw Hall), but also lectures and other educational presentations.

The new center, housing the company’s administrative offices, practice rooms, scenic and costume facilities, and rehearsal spaces (one the same size as McCaw’s stage), were designed by architecture firm NBBJ and replace the current cramped John Street facility in South Lake Union. The building’s signature features are its glass walls looking into the costume shop, intended to make this potentially intimidating art form both literally and metaphorically more transparent, or as soprano Serena Eduljee puts it, “to unlock opera for all.” Check it all out at the center’s grand opening on December 15. Seattle Opera at the Center, Seattle Center, 363 Mercer St.; 206.389.7676

Follow Us

Getting Ghosted

Getting Ghosted

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…