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Band of the Week: Sera Cahoone

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With so much happening in Seattle’s bustling music scene these days, how do you even know where to start? Allow the highly trained culture curators of Seattlemag.com to help with Band of the Week. This week, we catch up with local singer/songwriter Sera Cahoone, formerly of Band of Horses and Carissa’s Wierd. She’ll release her fourth solo album, From Where I Started, a banjo-tinged collection of folk rock, this Friday, on her own Lady Muleskinner records. Cahoone plays the Tractor Tavern Saturday, April 1.  

In three sentences, tell us the story of your band: Craigslist ad 2005: “Pedal steel player wanted-no assholes.” Jay Kardong answered and we’ve been playing together ever since. Around that time I found my guitar player Jeff Fielder and bass player Jonas Haskins—we’ve been together a long time.

Tell us about the new project and/or what have you been working on these days? I am about to release a new record, From Where I Started, on March 24th. I’ve been working on this one for awhile and am really proud of it. This record might be a little more personal than the others. Often my songs are inspired by real people and real events but end up far away from the original inspiration, but this record is a little more true. I kind of just put my heart out there.

What does being an musician in Seattle mean to you? Seattle has been an amazing place to be a musician. KEXP is an incredible supporter of local music. They have always been very supportive of me. The music that’s happening in Seattle right now is so cool and diverse from great hip-hop like Sassy Black & Stas (from THEESatisfaction) to emerging bands like Moon Palace. But Seattle really needs to stop and think about if it to keep this scene, keep this culture of arts because truthfully, I don’t how much longer artists and musicians can afford to live here.

What BIG question should we ask, and what’s the answer? How’s Chichi? Chichi, my toy poodle, just turned 14. A few less teeth and a little deaf and blind but she’s still feisty as ever.

What’s next? Come to my record release show at the Tractor on April 1st! Then touring touring touring. Start over and write a new record!

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Things I did, saw, ate, learned, or read in the past week (or so).

YOUR VOTE MATTERS Everyone has a favorite restaurant, coffee shop, or local boutique. Call me old-school, but I will die on the hill that Caffe Vita has the best coffee in town. Disagree with me? Now’s your moment to speak up. Each year, we survey Seattle magazine readers, asking them to weigh in on everything…

Studio Sessions: Ling Chun

Studio Sessions: Ling Chun

The Seattle-based artist brings playful color to ceramics and neon while exploring memory, transformation, and life between cultures.

For Ling Chun, creating begins with something sensed before it can be named. Working with clay, glass, light, and sometimes synthetic hair, the Hong Kong-born artist gives physical form to things that words cannot always hold. “For me, the magnitude of making goes far beyond the object that is eventually produced,” Chun says. “The object…

The Magic of PAX Is Stronger Than Ever

The Magic of PAX Is Stronger Than Ever

PAX West draws more than 100,000 people to Seattle each year. Co-founder Jerry Holkins reflects on what the gaming convention set out to change, how its community has grown and why gathering face to face still matters.

Access to game news as it was happening was difficult back in the day. Even with the advent of the internet, communication between game publishers and journalists was still a very elite affair.  I used to fake credentials—via fax machine!—to attend the Electronic Entertainment Expo, mostly just known as E3. It was simultaneously as loud…

Your Guide to Bumbershoot 2026

Your Guide to Bumbershoot 2026

Navigate Seattle’s wildest end-of-summer weekend with 20 picks spanning Death Cab for Cutie, Blood Orange, wrestling, skateboarding and—obviously—movies made in 48 hours.

Four years after Bumbershoot returned with its quirkiness revivified, Seattleites broadly acknowledge the two-day multimedia extravaganza as a welcome finale to the summer festival season. Fests like Bumbershoot are designed around a choose-your-own-adventure model, but if you’re the kind of person who looked at this year’s sprawling lineup—featuring multiple bands, artists, and exhibits happening at…