Skip to content

Celebrate the Inspirational Power of Pie and Whiskey

A literary event series about pie and whiskey is now a book.

By Callie Little November 14, 2017

pie-and-whiskey-780

This article originally appeared in the November 2017 issue of Seattle magazine.

Why pie? Why whiskey? The introduction to Pie & Whiskey: Writers Under the Influence of Butter and Booze (Sasquatch Books, $19.95) offers this explanation: “As the Irish say, ‘what butter and whiskey won’t cure, there is no cure for.’”

This anthology, edited by Washington writers Kate Lebo and Samuel Ligon, was born out of an ongoing literary event series of the same name, held in Spokane and Missoula, Montana. The recipe for the book is simple: offer minimal ingredients (pie, whiskey) to a handful of the Northwest’s best writers for inspired writing on the subjects. By the time you’re finished consuming the essays, stories and poems collected here from that series—by scribes such as Jess Walter, Kim Barnes, Elissa Washuta and others—you’ll likely be asking, “Why not pie and whiskey?”

Select author reading (including pie and whiskey), Wednesday, November 15, 7:30 p.m. $10. Washington Hall, Squire Park, 153 14th Ave; 206.322.1151.

 

Follow Us

Getting Ghosted

Getting Ghosted

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…