Skip to content

Circus Therapy Pioneer Finds Power in the Trapeze

Amber Parker takes a swing at mental health support via acrobatics.

By Callie Little June 20, 2017

circus-therapist-662

This article originally appeared in the June 2017 issue of Seattle magazine.

Three years ago, West Seattleite Amber Parker was a social worker helping homeless women.

Today, she’s employing her skills in a less conventional manner. Along with five others, Parker works at the School of Acrobatics and New Circus Arts (SANCA) as an “Every Body Circus Coach,” specializing in coaching acrobats with unique challenges. While her colleagues assist children who need physical or cognitive support, Parker specializes in behavioral health for women and plus-size accommodations. As a person of size relatively new to circus arts herself, Parker understands the challenges of working with a larger body, and she doesn’t allow weight to limit anyone’s potential.

Her path from social worker to circus practitioner began when she signed up for SANCA’s aerial silks class as a means of stress relief and adventure. With no background in athletics, she worked through the frustration of being a newcomer by giving in to the process of conditioning her body and embracing the journey.

“My proudest moment was the first time I climbed a rope; it took me over a year and was the moment I realized I could become a professional circus artist.”

A year later, in April 2016, Parker shifted from the role of student to that of teacher. Her work is called “social circus,” a blend of traditional circus skills, such as aerial silks and devil sticks, with mental health support and personal development techniques. She’s only the second person in the nation to explore behavioral health through circus work. She trains up to 60 hours per month—not including the time she spends teaching—saying that working through the hours of blood, sweat and tears is worth it for the transformative powers of circus work.

“I’d never understood what ‘art saves lives’ really meant until I began to do this work. Circus is very physically and emotionally demanding; it requires us to face ourselves, which is some of the hardest work there is. More than any astounding feat of strength or athleticism, I really believe that the greatest tradition in the circus is helping people through the journey of becoming themselves.” 

Craft Master
Parker is pursuing a dual master’s degree to become a licensed marriage and family therapist and a developmental therapist, and to further her social circus work. 

Family Team
In April, she performed a partner acrobatics routine with her 13-year-old daughter, Olivia, in SANCA’s Annual Spring Showcase. 

Juggling Accolades
She’s been featured in American Circus Educators magazine and is slated to speak in July at the Smithsonian Folklife Festival, where more than 1 million people are expected to take part in a conversation about the positive social change, accessibility and health-related aspects of circus arts.

Follow Us

Getting Ghosted

Getting Ghosted

Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.

In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…