Skip to content

Arts

Read More ›

Kate Wallich’s ‘Super Eagle’ Premieres at Velocity Dance Center in February

0214katewallich

This article originally appeared in the February 2014 issue of Seattle magazine.

!–paging_filter–pOne of emSeattle /emmagazine’s 2013 Spotlight Award winners, dancer/choreographer Kate Wallich and her company, The YC, are swiftly rising stars in the contemporary dance scene. Known for creating intense, highly atmospheric works that shift from super slo-mo to fast-paced popping, Wallich builds visual worlds that resemble haute couture fashion spreads come alive. February brings the world premiere of her first evening-length piece, emSuper Eagle/em.brbrstrongBD: /strongWhen we spoke last summer, you said emSuper Eagle/em would be about “tragic love.” Is that still the case?brstrongKW:/strong At its core, Super Eagle is this tragic love opus. You see these relationships revealed and then destroyed, moments of tenderness and moments of deceit. It’s sad and heartbreaking, but put-together and pristine. To me, it’s like the kind of pain that hurts so good. nbsp;brbrstrongBD:/strong This is your first full-length piece. Was it luxurious or daunting to have all that space to fill?brstrongKW:/strong Sustaining people’s attention for an hour is definitely daunting, but the time really allowed us to get to a place we haven’t been before, and the process made us refine and put only what is necessary inside the work. brbrstrongBD:/strong Did you and the other three dancers work collaboratively?brstrongKW:/strong Lavinia Vago, who also dances for Rubberband in Montreal, is the codirector of the work. We developed a lot of the imagery for the piece together a year ago at the Rauschenberg Residency [in Florida]. Andrew Bartee from Pacific Northwest Ballet is co-choreographing with me, and Matt Drews is collaborating as a dance artist. It’s been a very collaborative process with everyone, including our sound designer Lena Simon, fashion designer Pierre Davis and cinematographer Jacob Rosen. brbrstrongBD:/strong What does the title emSuper Eagle/em refer to?brstrongKW:/strong Super Eagle, to me, is like that person in your life who always pulls through. The person who, no matter what happens to them, always finds stability. They are rocks. For me, it’s someone like my mom—she was a huge inspiration for the piece. brbrstrongBD:/strong What is your favorite moment in the piece?brstrongKW: /strongThere is this duet between Matt and Lavinia in the beginning. It slows your heartbeat down… I could watch it forever.brbrstrongSEE SUPER EAGLE/strong 2/13–2/16. $15–$20. Velocity Dance Center, 1621 12th Ave.; a href=”http://www.velocitydancecenter.org” target=”_blank”velocitydancecenter.org/a. In addition: On 2/9 at Velocity (7 p.m.; pay what you can), attend a prelude to the world premiere, which includes a screening of Wallich’s short art film, emSuper Eagle: The Overture and a conversation with The YC/em about their collaborative process./p

 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Things I did, saw, ate, learned, or read in the past week (or so).

YOUR VOTE MATTERS Everyone has a favorite restaurant, coffee shop, or local boutique. Call me old-school, but I will die on the hill that Caffe Vita has the best coffee in town. Disagree with me? Now’s your moment to speak up. Each year, we survey Seattle magazine readers, asking them to weigh in on everything…

Studio Sessions: Ling Chun

Studio Sessions: Ling Chun

The Seattle-based artist brings playful color to ceramics and neon while exploring memory, transformation, and life between cultures.

For Ling Chun, creating begins with something sensed before it can be named. Working with clay, glass, light, and sometimes synthetic hair, the Hong Kong-born artist gives physical form to things that words cannot always hold. “For me, the magnitude of making goes far beyond the object that is eventually produced,” Chun says. “The object…

The Magic of PAX Is Stronger Than Ever

The Magic of PAX Is Stronger Than Ever

PAX West draws more than 100,000 people to Seattle each year. Co-founder Jerry Holkins reflects on what the gaming convention set out to change, how its community has grown and why gathering face to face still matters.

Access to game news as it was happening was difficult back in the day. Even with the advent of the internet, communication between game publishers and journalists was still a very elite affair.  I used to fake credentials—via fax machine!—to attend the Electronic Entertainment Expo, mostly just known as E3. It was simultaneously as loud…

Your Guide to Bumbershoot 2026

Your Guide to Bumbershoot 2026

Navigate Seattle’s wildest end-of-summer weekend with 20 picks spanning Death Cab for Cutie, Blood Orange, wrestling, skateboarding and—obviously—movies made in 48 hours.

Four years after Bumbershoot returned with its quirkiness revivified, Seattleites broadly acknowledge the two-day multimedia extravaganza as a welcome finale to the summer festival season. Fests like Bumbershoot are designed around a choose-your-own-adventure model, but if you’re the kind of person who looked at this year’s sprawling lineup—featuring multiple bands, artists, and exhibits happening at…