A Look at ‘Question Bridge: Black Males,’ the New Video Installation at Photo Center Northwest
By Seattle Mag January 8, 2014
This article originally appeared in the January 2014 issue of Seattle magazine.
!–paging_filter–p“What do black men have in common?” “Who are you and what is your purpose?” “Do you really feel free?” In emQuestion Bridge: Black Males/em, the new video installation at Photo Center Northwest (PCNW), African-American men pose such questions, and African-American men answer, in straight-on, close-up, unadorned video recordings. Produced by actors Delroy Lindo and Jesse Williams and photographic historian Deborah Willis, and collected over four years from more than 150 black men in cities across America, the 1,500 exchanges add up to a fascinating documentary that blows apart the notion of a monolithic identity. To augment the installation with local perspectives, PCNW issued an open call for photo submissions, asking black men of all ages and backgrounds in the Northwest, “In one photograph, what would you say?” A selection of these photos will serve as a concurrent exhibition, emSeen: An Exploration of the Inside and the Out, the Then and the Now, By the (Still) Invisible Men/em. Together, the displays serve as a powerful reminder that the shorthand concept of “diversity” often masks the actual, limitless diversity that exists within the confines of demography. 1/16–3/8. Hours vary. Free. Photo Center Northwest, 900 12th Ave.; 206.720.7222; a href=”http://www.pcnw.org” target=”_blank”pcnw.org /a/p
Follow Us
Getting Ghosted
Kim Fu’s latest novel turns a rain-soaked Pacific Northwest winter into the backdrop for a story about grief and loneliness.
In their latest novel, Seattle-based author Kim Fu gets one thing right about the Pacific Northwest: the rain. Set during a particularly bleak winter, The Valley of Vengeful Ghosts tells the story of Eleanor Fan, an online therapist grappling with the recent loss of her mother, Lele. After Lele’s passing, Eleanor inherits money to put…
Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery
With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.
It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…
Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice
Things I did, saw, ate, learned, or read in the past week (or so).
Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…
Studio Sessions: Gabriel Stromberg
For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay.
Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…