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‘Miró: The Experience of Seeing’ Exhibit Opens February 13

Joan Miró’s rarely seen sculptures arrive at SAM

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This article originally appeared in the February 2014 issue of Seattle magazine.

!–paging_filter–pRemembered for his declared intent to “assassinate” established painting methods—and recognized by the playful, primary-colored paintings that resulted—influential Barcelona-born artist Joan Miró believed he could be truly radical by way of sculpture. The Picasso contemporary and compatriot began experimenting with the medium in 1941. “It is in sculpture that I will create a truly phantasmagoric world of living monsters,” he said. Monstrous or mischievous? You can decide for yourself at Seattle Art Museum’s new exhibit, emMiró: The Experience of Seeing/em, featuring 48 paintings, drawings and rarely seen sculptures made between 1963 and 1983. Drawn from the Museo Nacional Centro de Arte Reina Sofía in Madrid, the pieces are arranged specifically to highlight the play between Miró’s two-dimensional and three-dimensional work. Constructed of found objects—such as salvaged wood, housewares and old hardware—which he assembled and cast in bronze, the sculptures are a special treat, imparting a fuller perspective on the more familiar paintings. SAM is the only West Coast venue presenting the show, so don’t miss this chance to deepen your acquaintance with a Spanish master. 2/13–5/25. Times and prices vary. Seattle Art Museum, 1300 First Ave.; 206.654.3100; a href=”http://www.seattleartmuseum.org” target=”_blank”seattleartmuseum.org/anbsp;/p
pimg src=”/sites/default/files/newfiles/miro_web.jpg” style=”vertical-align: middle; margin: 10px;” height=”621″ width=”400″/p

 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Rearview Mirror: Spinasse at Home, a New Spa Experience, and Seattle Mag’s Reader’s Choice Awards 

Things I did, saw, ate, learned, or read in the past week (or so).

YOUR VOTE MATTERS Everyone has a favorite restaurant, coffee shop, or local boutique. Call me old-school, but I will die on the hill that Caffe Vita has the best coffee in town. Disagree with me? Now’s your moment to speak up. Each year, we survey Seattle magazine readers, asking them to weigh in on everything…

Studio Sessions: Ling Chun

Studio Sessions: Ling Chun

The Seattle-based artist brings playful color to ceramics and neon while exploring memory, transformation, and life between cultures.

For Ling Chun, creating begins with something sensed before it can be named. Working with clay, glass, light, and sometimes synthetic hair, the Hong Kong-born artist gives physical form to things that words cannot always hold. “For me, the magnitude of making goes far beyond the object that is eventually produced,” Chun says. “The object…

The Magic of PAX Is Stronger Than Ever

The Magic of PAX Is Stronger Than Ever

PAX West draws more than 100,000 people to Seattle each year. Co-founder Jerry Holkins reflects on what the gaming convention set out to change, how its community has grown and why gathering face to face still matters.

Access to game news as it was happening was difficult back in the day. Even with the advent of the internet, communication between game publishers and journalists was still a very elite affair.  I used to fake credentials—via fax machine!—to attend the Electronic Entertainment Expo, mostly just known as E3. It was simultaneously as loud…

Your Guide to Bumbershoot 2026

Your Guide to Bumbershoot 2026

Navigate Seattle’s wildest end-of-summer weekend with 20 picks spanning Death Cab for Cutie, Blood Orange, wrestling, skateboarding and—obviously—movies made in 48 hours.

Four years after Bumbershoot returned with its quirkiness revivified, Seattleites broadly acknowledge the two-day multimedia extravaganza as a welcome finale to the summer festival season. Fests like Bumbershoot are designed around a choose-your-own-adventure model, but if you’re the kind of person who looked at this year’s sprawling lineup—featuring multiple bands, artists, and exhibits happening at…