Skip to content

Seattle’s ARTS at King Street Station elevates artists of color

King Street Station showcases BIPOC artists

By Heather Lowenthal October 12, 2022

Model: Ade A Connere in a garment by Jordan Christianson
Model: Ade A Connere in a garment by Jordan Christianson
Debora Spencer

This article originally appeared in the September/October 2022 issue of Seattle magazine.

Enter the ARTS at King Street Station and it’s easy to forget you’re atop Seattle’s busy train terminal.

The third-floor space was thoughtfully transformed into a glass and steel showcase by Olson Kundig and Schacht Aslani Architects, with the exclusive purpose of exhibiting the creative works of artists of color.

Research confirmed that BIPOC artists in Seattle don’t typically secure the same level of funding and exhibition opportunities as white artists. With this data in hand the Seattle Office of Arts & Culture funded the ARTS at King Street Station to create “a dynamic space for arts and culture in the heart of the city, dedicated to increasing opportunities for communities of color to generate and present their work.” Gallery admission is free to the public. 

Reopened in July 2021, the second post-pandemic exhibit begins Nov. 3, a collaborative show titled “Imminent Mode:US,” described by the gallery as “a deeper examination of where we’ve come from, why our ancestors immigrated to this land, and how our cultural differences can find harmony.” Garment Designers and fine artists were paired in order to create new work featuring a piece of wearable art and a large-scale installation based on a theme. The exhibition runs through Jan. 5. “Pantheon Anew”, composed by Seattle artist Saira Barbaric, continues through Sept. 23. The gallery describes the show as an “exhibit that traverses Barbaric’s exploration of pop culture and spiritual ideology, highlighting the stories we tell to comprehend reality and seek joy.” Content may be considered mature. For a complete ARTS at King Street Station schedule, see ARTS at King Street Station – Arts | seattle.gov

Corrections: Located on the third floor, not second. Reopened in July 2021, not July 2022.

Updated link for more information.

 

Follow Us

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

With a mix of mediums, ojo|-|ólǫ́ examines questions surrounding the authenticity and ownership of Indigenous work.

It’s a phrase that’s been drilled into most of us since we were young children: When you’re visiting a gallery, please, do not touch the art. In many cases, it’s with good reason: the pieces on display are fragile, one-of-a-kind, or historic works that cannot be reproduced. It’s such an ingrained approach to the museum-going…

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Rearview Mirror: Ballet’s Saddest Story, New Art in the Sculpture Park, and a Home-Grown Wine Label Promoting Social Justice

Things I did, saw, ate, learned, or read in the past week (or so).

Circular Thinking I am very lucky to live just a 12-minute walk away from Seattle Art Museum’s Olympic Sculpture Park. It’s a regular destination for my weekly walks and, aside from the world-class art, has one of the city’s best views of Puget Sound. Earlier this week, I went on a wet, windy walk and discovered…

Studio Sessions: Gabriel Stromberg 

Studio Sessions: Gabriel Stromberg 

For his current show at studio e gallery, Gabriel Stromberg explores the challenges of working with clay. 

Gabriel Stromberg has been a name about town for nearly two decades. As one of the cofounders of design firm Civilization (where he was the creative director and lead designer from 2008 to 2022), Stromberg worked on many award-winning projects, helped produce the wildly popular and always packed Design Lecture Series, and co-created and moderated…

Building Connection, by Design

Building Connection, by Design

How Angela Dunleavy’s new venture is reimagining experiential marketing—and Seattle spaces.

After two decades running restaurants, a nonprofit, and a large-scale catering operation, Angela Dunleavy reached a familiar midcareer inflection point. She had helped build Ethan Stowell Restaurants, led FareStart through the pandemic, and returned to the private sector as CEO of Gourmondo. But something still felt unfinished. “What is it that I really want to…