Arts
Read More ›
Grand Illusion is Moving — But It’s Not Going Far
Help Seattle’s volunteer-run cinema find a new home
By Sarah Stackhouse October 2, 2024
After more than 50 years of screenings in the U District, the Grand Illusion Cinema is losing its lease. The historic arthouse, which has been a staple of Seattle’s film scene since 1970, will have to move from its 1403 N.E. 50th St. location by February 2025 — but it’s not the end of the story.
“Our plan has always been to relocate the cinema and build an even grander Grand Illusion,” says Executive Director Brian Alter. “Now we are moving up the timing of that relocation plan.”
The Grand Illusion, known for its red velvet curtains, pressed tin ceiling, and cozy atmosphere, has operated as a nonprofit since 2004 and is the only 100% volunteer-run cinema in the country. A small group of more than 30 volunteers has kept the theater alive through decades of changes. Now, with the building sold and the lease ending, they’re asking for help to secure a new home.
The cinema has launched a relocation campaign, with a goal of staying in the U District. “It will take time and money to recreate the magic,” says Alter. “We’re confident this is possible, and we need our community’s support to make this happen.”
The Grand Illusion has always been more than just a place to watch new movies. As the city’s first arthouse cinema, its eclectic programming — ranging from foreign films and cult classics to late-night oddities — has made it a favorite for Seattlites. Right now, it’s showing the 1999 horror movie Ravenous (which is the scariest thing I’ve ever seen) in 35mm and the 1922 silent film Nosferatu (paired with Radiohead’s Kid A and Amnesiac) as part of its Silent Synched series, along with other interesting picks.
The cinema will close its doors at the current location on Friday, Jan. 31. While it searches for a new space, Grand Illusion is partnering with Northwest Film Forum to host pop-up screenings around the city. More information about those pop-ups will be announced in the coming months.
Want to help? You can make a donation to support the relocation effort.
Follow Us
Studio Sessions: June T. Sanders
Part of the Rituals in Resistance show at Railspur, June T. Sanders reflects on the power of creating art, crafting things with her hands, and the moments that spark creativity.
There’s a bare authenticity to artist June T. Sanders’ work. Whether it’s a series of black-and-white photographs taken close-up of friends and acquaintances or a suite of rough-hewn wooden objects, each piece feels relatable and grounded in daily life. It’s the kind of work that reminds us that everything doesn’t have to be so abstract…
Where to Celebrate Native American Heritage Month Across the Pacific Northwest
Explore Indigenous art, food, and cultural events throughout November, with opportunities to support Native artists and businesses.
As we head into the thick of the holiday season, there’s another meaningful observance to keep in mind: Native American Heritage Month. While Indigenous history and culture deserve recognition year-round, November brings opportunities to engage with Native artists, businesses, and cultural traditions. Here are some ways to take part. Explore art galleries and exhibits Stop…
Table 17 Serves Up an Authentic Look at Love
If you love a rom-com, see this play ASAP.
Most of us have been there at least once: Your phone lights up, you look down, and your ex’s name pops up on the screen. Maybe you haven’t heard from them in a while—weeks, months, or even years. If things ended badly, you might be annoyed at this sudden intrusion. If there were lingering doubts,…
How Art Stays Afloat in Iceland
Public funding, creative freedom, and a landscape that refuses to stay in the background have made this Nordic nation an extraordinary place for crafting culture.
“If you don’t have art and theaters—and free speech—it’s no good to live there.” The man telling me this, Guðmundur Kristjánsson, isn’t a curator or painter. He’s the CEO of a seafood company, Brim, and our conversation occurred at Reykjavík’s harbor on Fisherman’s Day. I had just toured one of Brim’s vessels, where framed art…